El Arte de lo único

Israel

febrero 20, 2012

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Inauguración Laura Gerscovich

Buenos Aires

septiembre 8, 2011

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LOS ESPERAMOS EL JUEVES 25. 19 HS. INAUGURACIÓN | EL CUBO AMARILLO | ANDRÉS WAISSMAN

Buenos Aires

agosto 18, 2011

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mite presenta

Buenos Aires

agosto 18, 2011

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Invitación SHOPPING III (Última Edición)

Mite tiene el placer de invitarlos a la inauguración de la muestra colectiva «SHOPPING» que celebra nuestro tercer aniversario, el día viernes 15 de julio a las 19hs.

Musicalizan el evento Ceci y Gastix.

«SHOPPING» es una muestra donde participan 50 artistas, tanto noveles como consagrados. Cada artista fue invitado a presentar 3 obras de pequeño formato, muchas de ellas inéditas, creadas especialmente para esta ocasión.
Durante las 2 semanas que dure la muestra, Mite ofrecerá TODAS las obras a un valor de $350.- (pesos) cada una.

Quienes que participan en la tercera y última edición de «SHOPPING» son:

Dudú Alcón Quintanilha / Marina Alessio / Nicanor Aráoz / Barbara Arcuschin / Valentino Arocena / Amadeo Azar / Nicolás Bacal / Nicolás Barraza / Juan Beccar Varela / Sofía Berakha / Sofía Bothlink / Andrés Bruck

Sebastián Bruno / Paula Castro / Cocoposible / Julia Corsaro / Elena Dahn / Santiago De Paoli / Sol Del Río / Lino Divas / Mariana Ferrari / Pablo Ferraro / Marcelo Galindo / Octavio Garabello / Laura Gerscovich / Julio Hilger / María Julia Iglesias / Ruy Krieger / Ariel La Vogue / Martín Legón / Hsuan Lin / Helena Líndelen / Sebastián Magunacelaya / Nicolás Mastracchio / Alexis Moldova / Ariel Mora / Edgardo Navarosky / Nicolás Ozuna / Hernán Paganini / Lucila Penedo / Sol Pipkin / Flor Rodríguez Giles / Natalia Rolón / Noel Romero / Job Salorio / Mariela Scafatti / Mariana Sissia / Elías Santis / Marcela Sinclair / Mara Tacón.

Abierta hasta el sábado 30 de julio, de martes a sábados de 14 a 20hs.

Los esperamos,

mite galería

w/ www.mitegaleria.com.ar

t/ 4822.9433

Buenos Aires

julio 14, 2011

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GACHI PRIETO GALLERY | News Julio/July

NEWSLETTER Nº 4
web site email
Javier Carricajo en el Museo Castagnino de Rosario Museo Castagnino Del 3 de junio al 31 de julio. Gachi Prieto Gallery anuncia la muestra individual de Javier Carricajo en el Museo Juan B. Castagnino, de la ciudad de Rosario. En ella presenta su producción más significativa, lo que constituye un recorrido excepcional al momento de tomar contacto con el trabajo de este artista contemporáneo. Gachi Prieto Gallery is proud to announce Javier Carricajo´s solo show at the Museum Juan B Castagnino of the city of Rosario. This show features a selection of his most significant works to date and constitutes an exceptional opportunity to get acquainted with this young artist´s production.
DOLORES ZORREGUIETA en STYX PROJECTS, BERLIN. MARIANO SAPIA en CLASICA Y MODERNA SIMON ALTKORN y TEC en THE WORLD BANK GROUP The bleeding dress Porteños About Change The Old Brewery, Berlin DEL 15 DE JUNIO AL 6 DE JULIO Ave. Callao 892, Buenos Aires DEL 21 DE JUNIO AL 31 DE AGOSTO 1818 H St., N.W., Washington, DC 20433, USA HASTA EL 30 DE JULIO Gachi Prieto anuncia la muestra “The Bleeding Dress” de Dolores Zorreguieta, donde la reconocida artista argentina residente en USA presenta acuarelas y su trabajo de instalación más reciente en STYX Projects, de Berlin. Gachi Prieto Gallery is proud to announce Argentine artist Dolores Zorreguieta´s exhibition “The Bleeding Dress”, featuring her most recent installation work and watercolors at STYX Projects, Berlin. Hay pinturas que sorprenden por su inmediatez; por su capacidad de presentarnos una realidad en lo que podría designarse como un electrificado momento de presencia. Este es el caso en Porteños, una muestra de apenas 4, magníficas, obras de Mariano Sapia. There are paintings that surprise us with their immediacy, their capacity to present reality in what could be designated as an electrifying moment of presence. This is the case in Porteños, a show of barely 4, magnificent, works by Mariano Sapia. Nuestros artistas Simón Altkorn y TEC fueron seleccionados para participar de la muestra About Change, organizada conjuntamente por el World Bank, el Art Museum of the Americas, la Organization of American States y el Cultural Center of the Inter-American Development Bank con obras de 131 artistas latinoamericanos. Our artists Simon Altkorn and TEC were selected to participate of the exhibition About Change, a joint project of the World Bank, the Art Museum of the Americas, the Organization of the American States, and the Cultural Center of the Inter-American Development Bank. A total of 131 artist´s works from Latin American countries will be on view. MÁS INFO | MORE INFO MÁS INFO | MORE INFO MÁS INFO | MORE INFO

GACHI PRIETO GALLERY CONTEMPORARY LATIN AMERICAN ART info@gachiprietogallery.com www.gachiprietogallery.com
Uriarte 1976 | Palermo | CP 1414CNT | Buenos Aires | Argentina
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Buenos Aires

julio 14, 2011

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Exposición de fotografía – Julio – Galería el Museo y Espacio 2

Galería el Museo

Carrera 11 # 93 a 43
Tel: (571) 6355325
info@galeriaelmuseo.com
Bogotá – Colombia

Bogotá

julio 1, 2011

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POST-KINETIC: CONCEPTUALISM AND GEOMETRY IN VENEZUELA

PLEASE JOIN US FOR THIS MONTH’S WYNWOOD SECOND SATURDAY GALLERY WALK

JUNE 11, 2011 FROM 7-9 PM

KaBe Contemporary Presents

Post-kinetic: Conceptualism and Geometry in Venezuela

Featuring works by: Roberto Obregon, Sigfredo Chacon, Alfredo Ramirez, Jose Gabriel Fernandez, Carla Arocha – Stéphane Schraenen, Yucef Merhi, Jorge Pedro Nunez

On View from May 28th, 2011

Gallery Hours: Tuesday – Friday 11:00 am – 5:00 pm

Second Saturday Art Walk, June 11, 2011  7-9 pm.

Miami, FL – KaBe Contemporary is pleased to present Post-kinetic: Conceptualism and Geometry in Venezuela. This exhibition showcases a selection of works by venezuelan artists whose styles emerge after the acclaimed 1960’s and 70’s kinetic art movement in Venezuela.

As LeWitt wrote, “In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.” In this sense, Roberto Obregon, Sigfredo Chacon, Alfredo Ramirez, Jose Gabriel Fernandez, Carla Arocha – Stéphane Schraenen, Yucef Merhi, and Jorge Pedro Nunez have developed a specific focus in conceptualism by including geometry in their art from. Each of these artists have combined both artistic tendencies into their works using their own unique medium. The result of this synthesis is Post-kinetic, a visual manifestation of the permeating effect kinetic art achieved in young Venezuelan artists in the nineties. Today, both in Venezuela and abroad, these artists have transcended the expectations of spectators world wide and have lived up to – and further risen – the standards set by the kinetics.

Through painting, sculpture, installation, and video, KaBe Contemporary managed to bring together the artists that represent the cornerstones of this pivotal artistic movement in Latin America. Each of the works exhibited will guide the viewer’s eye through a carefully designed geometric space filled with the understated but powerful messages each artist included in their work; transforming the show into a conceptual piece of its own.

KaBe Contemporary

123 NW 23 Street, Miami, FL 33127

Tuesday-Thursday 11:00 am-5:00 pm, and by appointment

www.kabecontemporary.com

305.5738142

Miami

junio 21, 2011

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NORBERTELLEN GALLERY – PRESS RELEASE – FOR IMMEDIATE RELEASE

NORBERTELLEN GALLERY

is proud to present:

Women Illustrators of Japan

July 1 – 30, 2011

OPENING RECEPTION : FRI, JULY 1, 2011, 6PM – 10PM

DOWNTOWN LA ART WALK: THRS, JULY 14, 2011, NOON – 10PM

Located on Gallery Row in the Historic Core of Downtown Los Angeles, the NORBERTELLEN GALLERY

welcomes back Art as 1 with another fantastic collection imported from Japan, this time by an all women ensemble.

All are welcome and encouraged to attend the opening reception Friday, July 1, 2011 from 6 – 10pm

as we launch another spectacular celebration of art. The gallery is open to the public Thurs, Fri, Sat,

from 1-7pm and by appointment. Admission is free.

Like your favorite sushi, song, movie, book or lover, these artists leave you satiated and wanting more.

To see this collection stimulates the unquenchable thirst for the new and cutting edge, for exquisite detail

and unparalleled technique steeped in the flavor of Japan akin to Anime or Manga, though clearly in a class

of their own as they experiment and develop unique and varied styles of visual communication.

Seasoned professionals, these illustrators have garnered many awards and have worked for years

in the industry as artists and designers for books, magazines, fashion, cartoons, games, advertising and more…

Featured artists Reichel Miyao, Sakuan Izumi, Yoshimi Ohtani, Minako Saitoh Botsford, Mayumin and Aya Jine

present a wonderful array of work that is fun, surprising and consistently delightful.

NORBERTELLEN GALLERY

215 W. 6TH ST. Ste #110

LOS ANGELES, CA 90014

818.662.5041

WWW.NORBERTELLENGALLERY.COM

 

Los Angeles

junio 21, 2011

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INTI – summer group exhibition – opening June 26

INTI
June 26 – July 31, 2011
Opening reception: Sunday, June 26, 6 to 8pm

On Stellar Rays is pleased to present a summer group exhibition with works by Terry Adkins, Barbara DeGenevieve, Rochelle Feinstein, Maren Hassinger, Clifford Owens, William Pope.L and Martha Rosler. The exhibition explores, through personal example, the way interests converge among peers and genealogies are developed.

The departure point of the exhibition is Owens’ own work, which frequently engages other artists in collaborative performances and dialogue. His Anthology project, forthcoming November at MoMA PS1, investigates the historical function of the ‘score’ in performance and the productive tension between collaboration and authorship. Owens’ work is influenced by a preceding generation of African American artists working in performance, as well as a generation of artists for whom social awareness and activism is the norm. Inti maps out, as Owens states, “how an artist’s work is always informed by and through other voices,” no matter how singular the artist’s practice.

Terry Adkins frequently reclaims and transforms discarded or abandoned objects to locate and reposition particular histories, often those that resonate with an unheralded past. Columbia resurrects the legacy of blues vocalist Bessie Smith. A large wall-mounted wooden disc, in the shape of a 78rpm vinyl record, is coated with 160 coats of glossy black paint, the number of recordings Smith made for Columbia records while under contract.

Following a year at the American Academy in Rome, Adkins produced a group of works mining the city’s cultural heritage and his own childhood instruction in Catholic ritual. In Prophet, Adkins channels Michelangelo’s horned portrayal of Moses, while cross-referencing the narratives of John the Baptist and John Brown. Monk takes a similar bust like form as the tonsured head of a scribe atop a stack of historical memoirs. The regalia in the High Priest photographs is likewise a personal exploration of Adkins’ Catholic heritage, albeit through the Baptist guise of secular status accorded early American blues artists.

Maren Hassinger’s multimedia work encompasses sculpture, installation, performance and video. She utilises both organic and inorganic materials to create sculpture that evokes strong natural forms, often directly responding to their environment. In Column, Hassinger suspends a column into the middle of the gallery space, constructed from black-knotted garbage bags. Both poetic and playful, Hassinger’s work frequently recaptures her history in dance, encouraging physical and emotional engagement on the part of the viewer.

Martha Rosler is an artist who works primarily in the medium of photomontage. She combines and reconfigures both image and text. Most of her work concerns social issues, which are manifested at sites as various as the kitchen, the television set, the streets and the transport systems. In Hooded Captives she juxtaposes an oblivious haute couture model with the bent over figures of torture victims. The pairing is framed by an austere, but recognizably domestic interior. For this series from 2004, Bringing the War Home: House Beautiful the artist revisited an earlier body of work of the same name from the mid 1960’s.

Rochelle Feinstein’s paintings often fuse particular painting histories with pop culture. Mr. Please Please, painted in broad strokes of blood red paint and emblazoned in gold leaf text, portrays the red velvet cape of James Brown, as photographed for the Christie’s sale of The James Brown Collection in 2008. Mr. Please Please evokes Brown’s legacy, specifically his trademark “cape routine”, in which mid-performance he fell to his knees, feigning exhaustion, was draped in his cape by an escort and shuffled off stage, while the back up vocals chimed “Please, please, please don’t go,” until Brown boldly arose and returned to his screaming fans. Feinstein’s bold painting style mimics the theatrical ruses employed by performers and gestural painters alike to heighten audiences’ emotional response.

Barbara DeGenevieve’s work intends to incite mixed emotions and charged debate, presenting here the Panhandler Project, in which she photographs male nudes reclining in odalisque-like poses. Learning that the men were homeless and paid by DeGenevieve for the project intensifies contradictory responses, broaching taboo topics to address issues of class, race, nudity, and sexuality, as well as problems of objectification inherent to the photographic medium.

William Pope.L presents a new work, comprised of three signed documents in which the artist grants power of attorney to his dealer, Jay Gorney, for the duration of the exhibition. The work makes tangible the unspoken yet implied contractual agreement, of trust, that exists between performer and audience in any performance. Deceptively simple white sheets of paper, which were scanned, copied and emailed numerous times to transfer information and signatures between the artist, dealer, and notary across distances, bear the legal and cultural weight implied in such a gesture, and further comment on the agency artists grant others in communicating the intentions of their work.

Clifford Owens’ work, One for Ben Patterson, was created during a performance recently held at MoMA, organized by William Pope.L, an artist whose work has held great significance for Owens. For this score, Owens sourced materials from Tristan Tzara’s Vaseline Symphonique, and Benjamin Patterson’s fluxus scores with ground coffee, employing the audience to assist him in creating a nude body print with Vaseline and coffee on a 10-foot piece of paper. Like all the work in the show, an irreverent gesture, critical risk, and a nod to one’s influences, commands a direct confrontation and recalls when such demands of the viewer were more prevalent in art-making practices.

On Stellar Rays
133 Orchard Street
New York, NY 10002
212.598.3012
candice@onstellarrays.com

IMAGE DETAILS: Rochelle Feinstein, Mr. Please Please, 2009

New York

junio 21, 2011

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